Review: “The Stars We Do Not See” at the National Gallery of Art
Amrita Hepi, Scripture for a Smokescreen, Episode 1 – Dolphin House, 2022. Two-channel video, color, 15 minutes, National Gallery of Victoria, Melbourne,...
Amrita Hepi, Scripture for a Smokescreen, Episode 1 – Dolphin House, 2022. Two-channel video, color, 15 minutes, National Gallery of Victoria, Melbourne,...
Camille Pissarro, The Garden of Les Mathurins, property of the Deraismes Sisters, Pontoise (Le Jardin des Mathurins, Pontoise, propriété des soeurs Deraismes),...
Gustaf Fjaestad, Moonlight, Örebro, 1897. Courtesy he Art Institute of Chicago Welcome to One Fine Show, where Observer highlights a recently opened exhibition...
The twelfth edition of the Sequences Biennial, Sequences XII: Pause, took place in Reykjavík. Vikram Pradhan Until the very last minute, I wrestled with my...
Jon Rafman, 1223 State Highway 6, Lowther, Southland, New Zealand, 2013. Archival pigment print, 101.6 x 162.5 cm. © Jon Rafman / Courtesy the artist and...
El Greco, Pietà (detail), 1574-1576. Oil on canvas. Courtesy of The Hispanic Society of America, New York Welcome to One Fine Show, where Observer highlights a...
Lynn Hershman Leeson, The Infinity Engine, 2014. Multimedia installation, dimensions variable. Courtesy of the artist, Altman Siegel, San Francisco and Bridget...
Sky High Farm’s inaugural Biennial, “TREES NEVER END AND HOUSES NEVER END,” explores the relationship between local ecology, history and industry. Photo:...
Hungarian ornamental blacksmith Martin Rose founded Rose Iron Works, which became one of the leading manufacturers of decorative metalwork in the United...
Kim Chong Hak, Snowy Mountain, 2008; acrylic on canvas. Photo by Kim Tang- Sae. © Kim Chong Hak, courtesy of the artist and the Kim Chong Hak Foundation...
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