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There’s no place like home—and there’s also nothing quite like an interior designer who really “gets” you. The designer-client relationship is an important bond that, for Jeffery Osgood and Patrick Richard, spans across multiple years and projects. While the couple hired Krystal Reinhard of Old Soul Design Studio to decorate their former apartment in downtown Philadelphia, they craved more space post-pandemic. So, they purchased a 3,606-square-foot home in Pennsylvania’s West Chester county—and knew exactly who to call to bring their vision to life.
“Krystal didn’t just design our home,” Richard explains. “She helped us discover who we are, in space and style. Our partnership with her is built on deep trust, shared taste and a kind of design telepathy that’s hard to describe.” Reinhard honored the couple’s penchant for contemporary design—she says their old unit was “very Mad Men mid-century”—but infused a little Palm Springs-inspired glamour.
“We always say we’re ‘mid-century modern gays,’ and Palm Springs is a design language we speak fluently—even from Pennsylvania,” explains Osgood. “There’s something about the joyful geometry, the confidence in color and the effortless blend of vintage and new that captures our spirit.”
The result? A thoughtful mix of textiles, patterns and art that brings out the best of both coasts.
The Living Area
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Since the couple moved into a spec home, a turn-key property without customized details or features, Reinhard was tasked with the challenge of making a large great room feel intimate and personal. “As an industry, we’re steering away from these massive open concepts and doing more compartmentalized rooms,” she explains. “I wanted to make sure there was flow and intention: That they could move within the spaces, but felt like each space had its own designated area.”
While the coffered ceiling grounds the great room, strategically placed furniture creates the illusion of smaller, cozier spaces. In the living area, a leather couch from CB2, RH’s acrylic upholstered stools and a gilded coffee table from Modern Elements Furniture build a beautiful background for connection and conversation.
But the focal point of the space is the graffiti-esque painting from Texan artist Kelly O’Neal. “There’s this very colorful art piece that’s blended with a minimalist, contemporary vibe so it’s still soothing,” she says. “That way, the pops can be enjoyed and spark conversation.” To emphasize the bold artwork—and seal its fate as the anchor of the area—Reinhard painted the wall behind it in Iron Ore by Sherwin-Williams.
The Dining Space
Though Reinhard is no stranger to dark, moody colors, the dining area acts as a midpoint between the living space’s black accent wall and the lighter kitchen. Here, upholstered chairs from RH flank a glass-topped, brass-based table from Bernhardt—giving this often-utilitarian space a touch of glamour.
Crisp, dramatic neutrals might be at the forefront of this space, but Reinhard brought a softness to the dining area with metal and acrylic stools reupholstered in nature-inspired fabric and a verdant artwork, also by Kelly O’Neal. According to the couple, O’Neal’s works were their first big art investments and set the tone for the home.
“It tells people this is a home that values fine design, but doesn’t take itself too seriously,” Richard shares. “A place for laughter, clinking glasses, long conversations, and for chosen family.”
The Kitchen
Neutral kitchens often get a bad rep for being humdrum, but Reinhard’s interpretation celebrates the beautiful intentionality of the pared-back palette. She swapped out subway tiles for a full-slab Silestone Calacatta backsplash and matching countertops. A trio of black pendants from Visual Comfort hang above a gray island, which offers a welcomed juxtaposition from the white cabinetry.
Speaking of the cabinetry, the kitchen is outfitted with hardware in an array of finishes to provide a layered, lived-in feel. “Who wants to walk into [a room] that feels sterile and utilitarian?” asks Reinhard. “It is an intentional thought to bring in those metals so that you do get the sense of warmth. Even though it may be a newly sourced piece, it doesn’t feel that way.”
The Primary Bedroom
Reinhard designed the home to evoke memories from Osgood and Richard’s many travels, but when it came to the primary bedroom, she fixated on building the ultimate staycation spot—one the couple would never want to leave. “I wanted to give them a hot, moody retreat that felt like a bespoke Airbnb you might have in Europe or downtown New York City,” she explains.
Dramatic hues made a comeback in the form of Sherwin-Williams’s Tricom Black, a high-gloss hue that covered the upper part of the room to modernize its tray ceilings. A leather bed frame from RH and Avasa’s custom bedding complement the darker ceiling while offering a refined, tailored finish to the couple’s bed.
Similar to the home’s common areas, art played a big role in the boudoir. An oversized piece from Leftbank Art hangs over the bed—creating the illusion of a beefed-up headboard—while a series of metallic “wall vessels” lend a touch of unexpected texture. “It feels like a sculptural art piece,” Reinhard explains. “It was a fun space to play with different genres of design and art: There’s a bit of traditional [design], and then we have those super cool modern light fixtures juxtaposed against a classy crystal chandelier.”
The Guest Bedrooms
From accent walls to punchy upholstery, pattern is the clear star of the home’s guest bedrooms. The secret, Reinhard says, lies in the proportions. “There’s a time and a place to go all out, but scale is super important when you’re curating a space,” she explains.
Here, opposites attract: A bed frame swathed in Kristine Sarley’s geometric, jade green fabric feels balanced next to the micro-printed curtains. Meanwhile, a high-contrasted Thibaut accent wall is expertly paired with textured solids.
The Office
“We didn’t want to mimic Palm Springs,” Osgood insists. “We wanted to channel it: the sense of welcome, playfulness and light.” Perhaps no room captures the spirit of Palm Springs quite like the office, where an accent wall, featuring wallpaper from York Wallcoverings, takes center stage. In fact, Reinhard says this repeat was love at first sight.
“Everybody has a starting point with a space, whether it’s a rug or an art piece,” she says. “For me, it was the paper.” A modern take on Palm Springs style and an excellent Zoom background? Consider us sold. Reinhard rounded out the room with a black desk with woven touches and angular chandelier from Hudson Valley Lighting Group, which she says mimics a palm leaf.
The result? Retro, refined and rife with personality. “We like to think of it as a home that throws a wink as much as it offers a hug,” Osgood says. “It’s modern, yes, but not sterile. Nostalgic, but not stuck in time.” Richard agrees: “It’s Palm Springs by way of Pennsylvania, with every detail curated to reflect comfort and joy.”
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